I really think that the GH2 recently announced by Panasonic can be THE digital Cinema camera to shoot on if you are on a budget. Having been recording to HDMI in recent years I can attest that the uncompressed HDMI feed of any camera is vastly superior to the internal codec.
It is still unclear at this time whether the HDMI feed is clean, degraded, frame rate manipulated or not. If it is an unfettered signal then this will be THE DSLR to own. Digital cinema will not be easier.
I have the GH1 and it is the most convenient camera to own I believe. I have the 5D as well and it is cumbersome to take on a trip. The GH1 has interchangeable lenses ( almost any lens ever made works becuase of the short flange distance – just need the right mount ) , small discrete size, large sensor for close to 35 mm depth of field and a great swivel screen.
It has been turned into a beast with the hack but it still has a way to go as far as being visually lossless as I am used to. Next year I will be filming my first feature and I am keeping a close eye on this baby. I believe that Panasonic have hit a home run with this camera.BUT…………………. The PAL version it appears at this stage will not have 25p but 50i. Now if that is true then that sucks big time. The NTSC version may well have 24p and that means that that is the version I am likely to go for on release. 60i with embedded 24p is no problem for most NLEs or indeed HDMI capture rigs that have pulldown removal built in – like my nanoflash.
Panasonic may well have just come up with a camera that can make the independant film-maker truly BIGTIME. Hey Pana – want someone to test the GH2 for you in a music video set? He he he – one can dream.
Well done Panasonic – I have my eye on the AF 100 as well so things are hotting up………………oh yeah!!!!
Sacrlet – Where art thou????????????????
Cineform now support the convergent designs nanoflash. thia is a game changer for sure.
Download the latest beta here